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Ambience Match has become so popular with audio post professionals that many engineers asked for a stand-alone AudioSuite module of Ambience Match, and iZotope has delivered with RX 5. This saves a few clicks and a few extra seconds of processing compared to using the RX standalone app via Connect. Dialogue Match is a Pro Tools AudioSuite plug-in that learns the reverb, EQ, and ambience data of a dialogue recording. It can then apply the profile to any other dialogue recording, giving your scene audio consistency across multiple environments. See All Features.
RX Post Production Suite sees a major upgrade in version 4. With powerful new dialogue, mixing, and reverb tools, you’ll be ready for any post production job.
Data entry form for excel 2016 mac. RX has been the industry leader in audio repair for years, and Post Production Suite 4 only adds to its legacy. The revolutionary new Dialogue Match, mixing powerhouse Neutron 3 Advanced, and multichannel Stratus 3D and Symphony 3D reverbs join RX 7 Advanced, Insight 2, and RX Loudness Control to bring you the most comprehensive post production software package on the market.
Izotope Rx 7 Ambience Matching
RX 7 Advanced
The industry-standard for audio repair
Designed specifically for the demanding needs of post production professionals, RX 7 Advanced continues to be the industry-standard audio repair tool used on movies and TV shows to restore damaged, noisy audio to pristine condition. Get full control over your audio whether you’re repairing noisy dialogue with Dialogue Isolate, reshaping the performance of a line with Dialogue Contour, removing reverb on dialogue recordings with Dialogue De-reverb, or rebalancing music stems with Music Rebalance—all with multichannel support up to Dolby Atmos 7.1.2.
Dialogue Match
Match sonic profiles for dialogue and ADR
The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamlessly congruent dialogue recordings. Dialogue Match is a Pro Tools AudioSuite plug-in that analyzes dialogue recordings to extract a sonic profile containing reverb, EQ, and ambience data. It can then apply the profile to any other dialogue track to give your scene audio fast and easy environmental consistency.
Neutron 3 Advanced
The modern way to mix
Achieve a clear, well-balanced mix with Neutron’s innovative mixing and analysis tools. Control every aspect of your music, from the visual soundstage of your tracks to the tonal balance of your mix—all with iZotope’s award-winning digital signal processing. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.
Insight 2
Intelligent metering for music and post
With its completely customizable interface, Insight 2 gives valuable and comprehensive perspective on any aspect of your mix, from loudness, intelligibility, spectral balance, and more. Whether you’re measuring loudness for broadcast compliance, ensuring clear dialogue for film, or managing a complex 7.1.2 Dolby Atmos session, Insight 2 is the tool for the job.
Stratus 3D
Natural surround reverb for post production
Create immersive surround environments with unrivaled clarity using Stratus 3D. With up to 24-channel support, over 1,700 surround presets, and intelligent multichannel reverb controls, Stratus 3D gives you just the right amount of depth and dimension.
Symphony 3D
Character reverb for music production
The lush, colorful reverb engine of Symphony gets a 24-channel upgrade in Symphony 3D. Symphony 3D delivers a rich, character-filled reverb tone for any post production project in immersive multichannel formats.
RX Loudness Control
Global loudness correction
Deliver high-quality broadcast audio that conforms to global loudness specifications, all via an intuitive, easy-to-use interface. RX Loudness Control works faster than real-time to ensure your audio mixes are delivered within the appropriate loudness standards. Efficiently analyze and render your mix to comply with any of the global loudness standards, then instantly create a .CSV loudness report.
Pro Sound Effects
Character reverb for music production
RX Post Production Suite 4 includes The Odyssey Collection: Design Elements library from Pro Sound Effects with 250 royalty-free elements for sound design. Each download comes with a single user, perpetual, royalty-free, commercial license for use in an unlimited number of productions.
Groove3 Video Training
Get a 1-year, all-access pass to online video tutorials from Groove3. Tailored for beginners and professionals alike, Groove3 offers valuable in-depth education on RX. You can also enhance your understanding of Pro Tools, Logic, and other leading audio software.
Mac/PC Standalone, AAX Native, AAX AudioSuite, DPM AudioSuite, RTAS, VST 2, VST 3, AU
Back in the fall of 2007, when Roger L. Simon asked me to produce PJM’s late lamented weekly series on Sirius-XM’s POTUS channel, I stumbled into a serious bit of good luck that made my life much easier: Boston-based Izotope, Inc. had just released the first iteration of their RX Audio Restoration and Post-production Processing Software. Right from the start, the RX line did a brilliant job of reducing hum, clicks, plosives (those popped-P sounds when someone is too close to the mic), and other noise from a recording. Being tasked with getting audio from a wide variety of sources, including podcasts, video recordings and telephone interviews and cleaning it up for radio presentation, RX was my secret weapon. I found it also worked terrifically on music recording, reducing or eliminating such distracting elements as finger squeaks when changing chords on a guitar, amplifier hum, and digital clicks.
Unlike most earlier noise reduction programs, RX made it possible to zoom into a individual distracting click or pop and drill down into tight granular-level details, much like Photoshop makes it possible to manipulate individual pixels in a Photo. This means it’s often possible to remove those tiny imperfections, without removing the actual musical or vocal content.
Later versions of RX became increasingly aimed at the world of video post production, with such features as Dialogue Isolate and Ambience Match. (Regarding the latter, Izotope’s help files note that it “lets you match the noise floor of one recording to another recording. For example, you can recreate the ambience of a live set on your ADR tracks.”) Beginning with RX5, Izotope split its RX program into standard and advanced versions, with the latter aimed towards film and video post-production houses who do extensive dialogue editing. (There is now a stripped-down RX Elements version as well. This chart lists the differences between the three programs.)
In Through the Music Rebalance Door
Izotope recently released the latest iteration of RX, RX7. While all of the previous modules are still there, in a return to Izotope’s origins as a music-oriented company, one of RX7’s most intriguing new features is called Music Rebalance. Professional audio mixers routinely create audio “stems” to group related elements of a multitrack recording mix. This way, a 24 to 48 track or more (sometimes waaay more) recording can quickly be boiled down to its core elements and reassembled, in case something needs to be remixed to create, say, a karaoke version of the song that will have all of the instruments mimed on TV, with only a live lead vocal. Or a different mix for a soundtrack or 12-inch version of a recording. Or if the record label decides it wants the lead vocal louder — or even if a band’s singer quits the group at the 13th hour.
Izotope Rx7 Ambience Match
Stem tracks typically consist of:
- Lead vocal
- Background vocals
- Solo instruments, if there is say, a prominent guitar or sax solo present
- The main backing instruments
- The bass guitar
- The drums
However, sometimes the original tracks of a recording get lost over time. In the past, remixing a track without the original multitrack recording was impossible. However, RX7’s new Music Rebalance feature will separate a stereo track into voice, bass, percussion, and for everything else, “other.”
I experimented with Music Rebalance to remix wave files of some of my old four-track cassette recordings from my college-era band days. Separating their core elements into individual tracks means they can be imported into a modern DAW, and then rebalanced, with reverb and compression plugins from the 21st century added to enhance the sound. I also experimented with creating a mash-up of Led Zeppelin’s classic “All My Love” from their 1979 album In Through the Outdoor, Quarkxpress 2016 for mac. taking the original track and fading in at the end the bootleg work mix version with an extended coda and final guitar solo missing from the album version.
My four track recordings and the Led Zep bootleg were both pretty low-fi to begin with, and depending upon your source material, there could well be artifacts present if a newly minted lead vocal stem is soloed, but once all the elements are combined, they should be much less apparent. As with most of the features in RX, Music Rebalance will likely only get better in future elements. But as it stands now, this is already a very useful tool, for remixing and creative applications:
Repair Assistant Speeds Up Workflow
In earlier versions of RX, once a problematic vocal or music track was imported into the program, it often took a bit of experimentation to find which of its applets would do the best job of eliminating or reducing a recording’s flaws. In order to speed up the discovery process, RX7 provides what they’ve dubbed the Repair Assistant. Depending upon how exposed this track is in a final mixdown (say if it’s the lead vocal or a prominent guitar solo), you still may want to do some additional tweaking to reach perfection, but for many applications, the choice presented by the new Repair Assistant in the top right of the program may be all you need. Clicking on it, the assistant asks if the file loaded is “Dialogue, Music, Other (e.g. sources with both dialogue and music).” One the choice is made, the Repair Assistant searches the audio file for clipping, clicks, hum, and noise. RX7’s help file notes that “If issues are not detected in any of the four categories, Repair Assistant will generate 3 basic clean-up processing chains for the selected source type using data learned during the analysis pass.”
While Izotope is an extremely useful tool, it shouldn’t be viewed as a crutch. For example, while it can remove reverb and plosives, this shouldn’t be viewed as an excuse to forgo recording a lead vocal in room equipped with proper acoustic treatments, even if it’s a few duvets and a Reflexion filter or GIK’s Portable Isolation Booth panels. The better the recording quality at the source, the less cleanup work will be required later, which means that fewer digital artifacts will be present, which is particularly important on something as exposed as a led vocal.
But when it’s cleanup time, whether you produce video for TV or YouTube, interviews for radio or podcasts, or produce music, RX7 is a tremendously useful tool, both for adding professional sheen to a recorded track, and now for remixing material where the original multitrack recordings cannot be found.